In the heart of Sydney's Circular Quay, a captivating interactive sculpture titled "There, Now, Here" by the Brooklyn-based duo Wade and Leta is making waves. This 6.5-meter-tall masterpiece, part of the annual Vivid Sydney festival, is a testament to the artists' unique approach to art and their deep connection to the Australian landscape. What makes this installation truly remarkable is its ability to capture the essence of Dorothea Mackellar's iconic poem, "My Country," through its subtle yet powerful color palette and immersive sonic experience.
A Sun-Bleached Landscape Come to Life
Wade and Leta's signature style is on full display in "There, Now, Here." The sculpture's black and white stripes, reminiscent of the sun-bleached landscapes of Australia, evoke the raw beauty of the "sunburnt country" as described by Mackellar. The artists' decision to use muted hues adds a layer of subtlety and depth, as if the artwork itself has been exposed to the harsh Australian sun for years, gradually fading and transforming. This choice of colors is not merely aesthetic; it is a deliberate nod to the country's unique climate and geography, inviting viewers to reflect on the passage of time and the enduring beauty of nature.
A Sonic Journey Through the Bush
The sculpture's sonic component, created by Josh Burgess, is a masterpiece in itself. By manipulating the controls, visitors can immerse themselves in the sounds of the Australian bush, from the rush of water on rocks to the dings of the light rail and the crosswalk signal. But the highlight is undoubtedly the lyrebird's call, a nod to the iconic "bush doof." This attention to detail and the use of local wildlife sounds create an authentic and immersive experience, allowing visitors to connect with the natural environment in a way that transcends the physical sculpture.
A Public Art Experience
"There, Now, Here" is more than just a static installation; it is a dynamic and interactive experience. The sculpture's kinetic nature, powered by wind and motors, encourages participation and engagement. Visitors can hop on the see-saw, adding to the sculpture's movement and creating a sense of community and shared experience. This interactive element is a testament to Wade and Leta's belief in the power of public art to bring people together and foster a sense of connection and wonder.
A Personal Connection to Australia
As an artist, I find the personal connection between Wade and Leta and Australia fascinating. Their choice to create their first public work in Australia is not just a coincidence; it is a reflection of their deep appreciation for the country's culture and landscape. The artists' decision to draw inspiration from Dorothea Mackellar's poem and the unique Australian environment showcases their respect for the country's heritage and their desire to create art that resonates with the local community. This personal touch adds a layer of authenticity and emotional depth to the installation, making it more than just a piece of art; it becomes a symbol of cultural exchange and appreciation.
A Broader Perspective on Public Art
"There, Now, Here" raises a deeper question
